source: entertainment.timesonline.co.uk (Times Online)
By: Craig McLean
She's the world’s biggest-ever teenage star, thanks to Hannah Montana, a TV show about a girl called Miley with a pop star alter ego. But where does fiction end and real life begin? Craig McLean is sucked into a whirlwind of wholesome ambition.
Sunday afternoon in Toluca Lake, and I’m squished in a black SUV with six other people, having my ears pinned back by the most famous teenager in America. In the front passenger seat, maintaining a dainty Deep South elegance and coiffure in the Los Angeles heat, her grandma. In the back, two of her PRs. To her right, a handsome young chap in a vest and boy-band hair. To her left, balancing tape recorder on knee, me, the first British journalist to be allowed proper access to her world.
And in the middle, telling us all where to sit, fast-talkin’, gum-crackin’, God-fearin’ Miley Cyrus: star of Disney TV series Hannah Montana, top-selling pop singer, record-breaking live performer, record-breaking movie star, daughter of mulletted Nineties country singer Billy Ray Cyrus, and the titular head of a multi-platform branded corporation worth some $1bn. She recently received a seven-figure sum to write her life story. Miley Cyrus is 15.
We had gathered in the drive of the house Miley shares with her dad, mum Leticia, brother Braison, 12, and sister Noah Lindsey, 6. The Cyruses relocated from their home town of Nashville to this nice part of LA in 2005, after Miley landed the lead role in Hannah Montana. It’s a drama about a teenager who’s an ordinary schoolgirl named Miley Stewart by day but, “disguised” in a blonde wig, a big pop star named Hannah Montana by night. Miley Stewart’s dad is played by Miley Cyrus’s dad, Billy Ray, best known for his Achy Breaky Heart – after his country-music career faded, he became an actor.
Hannah Montana is a huge hit with tween and teenage girls. They love the escapism and idea of a secret (and supercool) alter ego. And Cyrus, a natural comic, is an engaging actor. For ordinary girls across America and the UK, she seems real and accessible, not some glossy and remote Beverly Hills type. Plus, the pop songs she sings in her husky, mature voice are good, too.
In real life you can see the appeal of Miley Cyrus. She talks fast, is unselfconscious, a genuine teenager with genuine teenage appeal that is impossible to manufacture. Her charm is in her unguarded candour. A teenager who speaks her mind will speak to her audience.
Originally, the schoolgirl character was called Chloe Stewart. But the Disney bosses who put adolescent Miley Cyrus through a gruelling audition process that lasted nearly two years ultimately decided to name the character after their new hireling. Why?
“They just thought I was like the character,” shoots back Miley, then instantly reverses the comparison. “The character was so much like me – because she’s really wild and fun and doesn’t really give a care. And that’s very much how I am. What you see is what you get. I’m not really worried about stuff, I just like to get stuff done. Same thing: she’s really, really ambitious and wants to just go out and change the world. Hannah Montana doesn’t just wanna be a pop singer. She doesn’t just wanna be something that’s hot right now. She wants to go on for ever. Same thing for me.” Of course, all teenagers think they’re immortal. The difference with Miley Cyrus is that for her, going on for ever means being a star for ever.
This evening Miley is headlining a concert at the Universal Amphitheatre, part of the film studio’s theme-park complex. The sold-out event for 6,200 screaming girls (and some earplug-wearing parents) is in aid of City of Hope, a California hospital specialising in cancer treatments. The bill comprises three acts-cum-brands fundamental to the current pop-cultural supremacy of the Walt Disney Company: Demi Lovato (star of the recent Camp Rock movie, now making her first album), the Jonas Brothers (also Camp Rock-ers, but a stadium-filling boy band, too), and Miley Cyrus.
In the driveway of the Cyruses’ low, ranch-style house, the SUV doors slam, the engine guns, the gates hum open. We embark on the ten-minute drive to Universal Amphitheatre. Miley starts talking. Fast. Very fast. This, I will discover over the ensuing five hours in her orbit, is how she always speaks, whether to reporters or her mum or Disney top brass or the sick children who visit her dressing room post-show. I soon develop a form of Miley lag. It’s like jet lag, but it makes your head spin more. No wonder this child-star-entrepreneur gets so much done. As she speaks, sentences fall over half-sentences. No thought goes unuttered, it seems.
“I just think it’s really important,” Miley says of her support for City of Hope as we exit her family property, a fat envelope from a fan wedged in the gate’s iron bars. “Just because so many kids have all these dreams, and I know if I was little – I started when I was six or seven years old… The people that get diagnosed with these type of cancers and stuff at such a young age, they never feel like they have an opportunity to really dream – THAT WAS THE GUY I WAS TELLING YOU ABOUT, THAT STALKED ME!”
Feisty Miley, a short kid with a woman’s flowing locks and a curiously throaty voice and still-chewy Southern accent, is now shouting and craning round in her seat, pointing at a shifty-looking bloke standing on the corner just down from her house. Her PRs look back too.
“THAT GUY, SERIOUSLY, NEEDS TO GO TO JAIL. UM, OK. HE STALKED ME, I’LL TELL YOU ALL ABOUT IT.
“But if I would have been told that I couldn’t have been able to chase my dreams at such a young age…” Stalker alert over, she’s picked up where we left off, albeit in a scatter-gun way. Basically, Miley wants to raise money to help find a cancer cure “to give these kids an opportunity to live their dreams. ’Cause the future is all about the young ones now.” So says the 15-year-old.
The opening episode in the first season of Hannah Montana premiered on the Disney Channel on March 24, 2006. It was astutely scheduled before a rerun of High School Musical, and, in fact, featured a cameo from Corbin Taylor, who plays Chad in that hugely successful film franchise. It was watched by 5.4 million viewers. Miley knew it was a hit straight away.
“I was on Google every five seconds, getting Google Alerts! Same thing as I do for my records.” This tiny tycoon is “always constantly watching the numbers. One more CD will sell and I’ll know. People say, ‘Oh, the numbers aren’t important.’ Yes they are! I wanna know how many people are seeing that episode. For me it’s all about the love of acting and the love of music. But then again, when you see three million, four million, five million pop up on your screen, and say that you’re doing that single-handedly, it’s pretty insane. ’Cause it wasn’t like I just got an easy free ride.”
She’s currently filming a third season of Hannah Montana, and has already completed a big-screen version, to be released next spring. Why has the show been so successful?
“It’s not just showing a pop star who goes out at night and parties and gets to do cool concerts and get free clothes. It’s about making a CD ('Breakout') and having someone go to City of Hope and singing for kids with cancer who say the only time they smile is listening to my records. That’s the biggest reward. Nothing that money can buy or a CD can sell. That is something you never forget.”
Don’t worry if you’re a little confused as to where Miley Stewart ends and Miley Cyrus begins. I am, too, and I’ve spent a lot of time in both worlds recently. But one thing is clear: this is a preternaturally “on it” child star with the clear potential to financially outgun all her predecessors, whether original Mouseketeer Britney Spears, former child actor Lindsay Lohan, Disney poppet Hilary Duff, or pan-media entrepreneurs Mary-Kate and Ashley Olsen.
Little wonder that the realities of Miley Cyrus’s adolescent life – a seemingly semi-nude photoshoot in Vanity Fair and some saucy pics posted on MySpace – have this year been causing such tremors.
Miley Cyrus toured before she walked. When she was just a baby she accompanied Billy Ray Cyrus on the road. Her first memory is of being onstage at an Elvis Presley tribute concert, being passed among the star performers, including Aretha Franklin. Back then she still went by her birth name, Destiny Hope – even in naming her, her parents had big dreams for their baby daughter. Soon the infant’s perennially happy demeanour led to her being nicknamed Smiley, which in turn became Miley. Earlier this year she legally changed her name to Miley, and is now in the process of trademarking the name. (“Why? Why not?”)
She began acting aged seven, eventually landing a recurring part in Doc, a TV series about a country doctor in New York, in which her dad had the lead role. Did she always think she was going to be a famous entertainer?
“Yeah, that’s what I always wanted to do. I never knew if it would be possible but if I’d have ever been told there was no way, I don’t know what I would have done. It just gives you such hope and independence and you feel so… You know, you feel like a superhero! You feel like you can do anything.”
Billy Ray has talked about how his pre-teen daughter would go for audition after audition, and weathered rejection after rejection. But she never gave in, even when he gently reminded her that she was only a kid and there was plenty of time. That drive, she acknowledges, was the product of a pure ambition that coursed through her even at a young age.
“I’ve always been ambitious, and my dad’s been really inspiring to me. He grew up around music, but he didn’t even think he wanted to be an artist until he was older. And I figured that out when I was little, just watching him. And so he was being the protective dad, wanting me to wait till I’m a little bit older. ’Cause maybe it won’t hurt so badly when you get let down. But it makes you so much stronger. If I would have just been told yes every time, or if I would have gotten a handicap, for being Billy Ray Cyrus’s daughter, it wouldn’t have been near as important. I had to work for it myself.”
Pre-showtime, we’re now sitting in her dressing room in the bowels of Universal Amphitheatre. The handsome young chap in the vest with boy-band hair and about eight other people are hovering, including one of her managers. (Her mum is another of her managers.) She’s just “done” the red carpet: that is, walked out on to a stretch of red carpet, alongside which a mob of photographers were corralled. They shouted and yelled at her – Look this way! Over the shoulder, Miley! Gimme the peace sign! – and snapped and flashed. Then radio and TV reporters fired questions at her: what’s she doing for her 16th birthday [November 23]? (On October 5 she took over Disneyland for the day, inviting press, fans and competition winners to join in Miley’s Sweet 16 – Share the Celebration, with all proceeds going to Youth Service America.) What gift would she like? A car. How’s the Hannah Montana movie coming along? Great! Then she came back inside.
Of the roles she didn’t get she says, “I just think God has such a great plan. And so many people kind of ignore that. You just gotta realise that sometimes it hurts and you have no idea why. But, you know, you just gotta move on with it.”
Faith is important to her – yesterday she attended “Saturday church” because she knew she’d miss it today (she also spent that rare day off getting a passport for her imminent trip to the UK).
“I always have fun little Bible verses to pull out. I’m like, ‘All right, well this sucks, so I’ll listen to this.’ I think it just gives you a sense of positivity, possibility. And it reminds me that this is so not what my life is about. My life is not about going on the press line, or being best or worst dressed. It’s about being something so much greater.”
Miley has sky’s-the-limit ambition. She wants to entertain, on myriad fronts, and she wants to do good. She welcomes the responsibility of being seen as a repository of wholesome values by the Christian Coalition. “Yeah, of course. Christianity doesn’t promise perfection, but it does presume that you’ll try to live like Christ. And hopefully I’m doing a good job.”
How, then, to explain the portraits in the June edition of Vanity Fair that caused a worldwide media storm? The DIY pictures of Miley goofing around and getting intimate with pals at a sleepover that ended up on MySpace – those can be explained away as typical teenage high jinks. But Annie Liebowitz photographed Miley looking rumpled and with a come-hither gaze, with a sheet falling from her naked shoulders. It wasn’t just the Christian Right or fans of wholesome Disney values who were alarmed by the coquettish, near Lolita-esque poses. Miley subsequently apologised for poses she had, seemingly, agreed to. Disney accused the magazine of manipulating a 15-year-old (albeit one accompanied to the shoot by family and business associates). With the benefit of a few months’ hindsight, what are her feelings now?
“It was one honestly dumb decision. You know, there’s a first time for everything. It was my first time working with a big photographer and blah blah blah blah. I think I just kinda got put under pressure and that’s OK, ’cause I learned a lot from it. And I just know to trust my better judgment and my thought and my gut feeling. And so I just think: be a little more careful next time.”
But for the relentlessly optimistic and family-protected Cyrus, every cloud… “I think that’s awesome. I’m glad I can tell kids that: just watch what you do, ’cause it will come back to getcha.”
An hour or so later Miley Cyrus follows the Jonas Brothers on stage. Channelling Pink and Avril Lavigne, she throws herself around the stage like a rock chick, all tight jeans, T-shirt (bearing an image of her tattooed, pierced elder brother Trace’s band, Metro Station) and trainers. Five musicians, two backing vocalists and eight dancers help amp up the excitement as she plays songs from the recent Miley Cyrus album, Breakout – so named, of course, because it signifies her musical breakout from the poppier Hannah Montana world.
In the dressing room afterwards (only two people overseeing this time) I ask her about performing 7 Things, a song about the end of her relationship with Nick Jonas, the cutey-pie youngest of the brothers (frankly, she looks like she’d eat him for breakfast). They split during the Best of Both Worlds tour that Miley/Hannah and the Jonas Brothers undertook in late 2007/early 2008 – a tour that did better box office than the Police and Bruce Springsteen, and which spawned a record-breaking 3D concert movie. The Jonas Brothers, her support act, were very much second fiddle to Miley on the shows. Was their relationship broken by fame?
“I like to keep my priorities straight,” she replies, and into this category we might put the promise ring she (and the equally devout Jonas Brothers) wear, by which they promise to have no sex before marriage. “My priorities are my friends and my family more than a boyfriend that might not be there for ever…”
I wonder what the handsome young chap in the vest, who’s sitting next door with Miley’s mom (a striking woman in her forties) and two sisters, would make of that. It transpires that he’s Justin Gaston, a former underwear model and Nashville Star contestant. Five years Miley’s senior, he’s her new boyfriend, as evidenced by pictures that appear in the press the next day of them exiting church together (he wore a vest then, too).
Time is nearly up. I ask Miley if she finds it easy to relax and switch off?
“I like working, working and working, then having a week’s break. More than working two days, having a day off, working two days…” She pauses, which at the speed-of-Miley lasts for about a nanosecond. “What am I talking about? This never happens! I’m making this up. I like working a lot then taking a really long break. But it’s so funny: every time I get a day off I’m like, [plaintive voice] ‘Mom, I need to go to the studio. Mom, I need to write a song…’ She’s like, ‘Just take your day off.’ But I just like working. I like what I do. So. It’s good.”
Is she a workaholic?
“I am,” she grins. “I am. It’s better than, you know, being addicted to anything else. I love my job. So. It’s fun.”
But what about that stalker guy we passed earlier. Surely that’s a worry to a young girl?
“Stalker guy!” she hoots. “You just gotta smile and be happy, you know what I mean? Give ’em their peace sign and walk away.”
Miley Cyrus’s album Breakout is out now. Her show at the Hammersmith Apollo in London tomorrow will feature on BBC online, Radio 1 and BBC Two